Sunday, August 17, 2008

Treat





Every Saturday afternoon, just about when the sun is caught between mid-afternoon and dusk, I always find time to visit Rizal Park. It’s a family leisure park just across the famous Sto.Nino Church in Tacloban City, a metropolitan city along a fish sanctuary, north western part of the Leyte Gulf. For a yuppy like me who would choose to exhaust myself with work during the long weekdays, a lazy visit to the park is already a treat that could not amount to any. While some will muse themselves over window shopping in the city’s department stores or kill time inside the theater with the latest cinema, a quiet time in the park has become my religion.

I always pick on the wooden benches between the swing area and the huge fountain. I sit there clandestinely as if I wait the floating debris inside me to settle first. Then I let my eyes pass through the images before me: a family in a weekend picnic over pansit bihon, puso and barbeque; a young couple in their blossoming sublunary love; a group of teenagers packed on one corner of the park goofing around while another clique of young blood enjoys the guitar. Some pubescent are biking while still some play badminton. Some children flock the swing and slides and just somewhere under the low hanging Gemelina tress, I thought it was a lovely sight to see a young father guides his infant to start walking on solid ground. The child’s feet were woggly but they were covered with white soft walkers. When the child started to make his first step, his little fingers held his father’s thumb tighter as if seeking affirmation for his father’s love and security. I thought the father felt it because his face showed up a radiant smile. And so the child attempted for the second step and then the next step, and the next step after that. Soon the little unsure tip toes became little paces of determination. In turn, the father was indulging his young son with more little steps as they walked beside each other. When I saw the ecstatic feel on the young father’s face, I thought my heart melted. Something inside tickled my kindred spirit.

For a hopeless romantic such as I am, these are the moments that say I love being human. I love the feel of the grass when I step on it barefoot and how I enjoy the ticklish touch. I love the smell in the air of the newly baked ensaimada of Panaderia San Pablo or the inviting crispy crust of bibingka in Paterno. I love ginat-an and the beauty of the collision of the colors from several root crops bathed in the milky river of coconut cream. I am in love with the countless lazy walk along Magsaysay Boulevard and how the serene acacia trees bring petal showers of pink when the lazy wind whistles to the beat of the howling waves of Kankabato. I am just madly in love with everything in this city that may have been small or less important but speaks enormously how the city started from a quiet community to a bustling metro now.

Today, the city has started implementing the electronic traffic system in the metro and eventually in the city outskirts, as planned. This improvement was born with many other good signs of modernity. Two giant malls are expected to be operational by January 2009. Another international call center outsourcing agency will be in business by October this year. These and many more will determine the new pacing of the city lifestyle. While I’m not against the progress of the city by the bay, I am on the other hand afraid to see that the Taclobanons get lost in the process of the urbanization. I am scared that people will soon forget their identity as a group of people and soon become oblivious with what used to be good: bibingka, ginat-an, Mags, Kankabato and the lazy afternoons in the park.

We need to remember what used to be good for it might hit us in the eyes and fail to recognize it. We need to search our hearts and recall its own beauty after all, what used to be good brought us to how we live now, what we believe in and why we keep the faith even to the littlest of our own causes till now.

Writers' Stigma



Most of those in the know call it writer’s stigma. It is when the writer hibernates on his penchant towards writing. It is the sudden stagnation of a writer about scrutinizing the creative side of every situation and the sloth-like ceasing from collecting concrete ideas from both the simplest of things to the myriad of many other thingamajigs yet unexplained by the naked brain.
I cannot call myself a writer per se so that when I stagnated from scribbling ambitious words in this blog spot since I impulsively created this a year ago, I cannot be accused of a writer’s stigma. Instead, I would prefer to call myself a rebel who chose to shy myself away from the maddened crowd so that I may be able to search my thoughts well and good. But let me just put it on the record that when I hibernated for quite sometime, I was out in the killing field. It was a tumultuous battle fighting my own demons. I fought a good fight.


But what makes a prolific writer and effective writing come into unison? Is it purely about narrating into beautiful words all the fancies of this life, both the good and the ugly? Is it taking into account all the misadventures of man and making the record indelible enough so that all information is understood and learned by the readers? Is it about looming ideas carefully so that it ends up into an intricate piece of cloth of lofty-minded essay? I remember a senior communication arts student from UP Tacloban Campus during the event of their short film festival having been awarded as best director aptly said that once the article, essay, poem or a short film is out in the open ready to be devoured by the public, the author loses control over his piece of art. No matter how wonderful it was written, it is inevitable that it will be perceived differently by the audience. Thus lies the responsibility of understanding the essence of the artwork in the hands of the beholder, or the readers for that matter. In the shortcomings of the audience, any piece of art suffers.

It also speaks the same about this page. While I am caught in the limbo of issues about being guilty of a writer’s dilemma and the indecisiveness whether I keep this page limited to my personal journal of misadventures, demons may care, or must I keep this simply as a photo blog where literary bouts are supported with relevant, if not journalistic photos at that, I remain steadfast with my Zafra-ish obligation of being accountable with my storytelling.



I’m not a prolific writer. Or at least, I cannot qualify to be hailed like one just yet. Neither am I your typical yuppy photo blogger. I am not even close to being an online poet con lensman. But in the trials of times when one must rise up from his sloth and defy the odds against those who have slapped the cheek of the weak or in the event that tact is more powerful than truth but prudence argues with sobriety, then I can let loose of my own leash so that I become, nonetheless, the rebel that I am.